History: L. 1939, ch. 306, § 1; June 24.
History: L. 1939, ch. 306, §§ 2 to 4; Repealed, L. 1943, ch. 212, § 3; June 28.
History: L. 1939, ch. 306, § 5; June 24.
History: L. 1939, ch. 306, § 6; L. 1943, ch. 212, § 1; June 28.
History: L. 1939, ch. 306, § 7; L. 1943, ch. 212, § 2; June 28.
History: L. 1939, ch. 306, § 8; June 24.
History: L. 1939, ch. 306, §§ 9, 10; Repealed, L. 1943, ch. 212, § 3; June 28.
History: L. 1939, ch. 306, § 11; June 24.
History: L. 1939, ch. 306, § 12; June 24.
(a) "Copyright owner" means the owner of a copyright of a nondramatic musical work, other than a motion picture or other audio visual work, recognized and enforceable under the copyright laws of the United States pursuant to title 17 of the United States Code.
(b) "Performing rights society" means an association or corporation that licenses the public performance of nondramatic musical works on behalf of copyright owners, such as the American society of composers, authors and publishers (ASCAP), broadcast music, inc. (BMI), and SESAC, inc.
(c) "Proprietor" means the owner of a retail establishment, restaurant, hotel, bar, tavern, sports or entertainment facility; a not-for-profit organization; or any other similar place of business or professional office located in this state in which the public may assemble and in which nondramatic musical works may be performed, broadcast or otherwise transmitted.
(d) "Royalty" or "royalties" means the license fees payable by a proprietor to a performing rights society for the public performance of nondramatic musical works.
History: L. 1996, ch. 102, § 1; July 1.
(a) A schedule of the rates and terms of royalties under the contract;
(b) upon request of the proprietor, the opportunity to review the most currently available list of the members or affiliates represented by the performing rights society; and
(c) notice that it will make available, upon request of any proprietor, at the sole expense of the proprietor, the most currently available list of the copyrighted musical works in the performing rights society's repertory, provided the notice shall include a toll-free telephone number and shall specify the means by which such information may be secured.
History: L. 1996, ch. 102, § 2; July 1.
(a) Be in writing;
(b) be signed by the parties; and
(c) include at least the following information:
(1) The proprietor's name and business address and the name and the location of each place of business to which the contract applies;
(2) the name and address of the performing rights society;
(3) the duration of the contract; and
(4) the schedule of rates and terms of the royalties to be collected under the contract, including any sliding scale or schedule for any increase or decrease of those rates for the duration of that contract.
History: L. 1996, ch. 102, § 3; July 1.
(1) Enter onto the premises of a proprietor's business for the purpose of discussing a contract for payment of royalties for the use of copyrighted works by that proprietor without first identifying the agent or employee to the proprietor or the proprietor's employees; or
(2) collect or attempt to collect from a proprietor licensed by that performing rights society a royalty payment or any other fee except as provided in a contract executed pursuant to the provisions of this act.
(b) Nothing in this act shall be construed to prohibit a performing rights society from informing the proprietor of the proprietor's obligations under the federal copyright law, title 17 of the United States Code.
History: L. 1996, ch. 102, § 4; July 1.
History: L. 1996, ch. 102, § 5; July 1.
History: L. 1996, ch. 102, § 6; July 1.
(a) Investigations by law enforcement officers or other persons concerning a suspected violation of K.S.A. 21-3750 and amendments thereto; or
(b) contracts between copyright owners or performing rights societies and broadcasters licensed by the federal communications commission or contracts with cable operators, programmers or other transmission services.
History: L. 1996, ch. 102, § 7; July 1.